Drawing attention to the plight of the Saiga through school mural painting
By Rory McCann
I am here in Kazakhstan to paint a mural depicting the wildlife of the steppe environment, with a particular focus on the Saiga antelope – a comical-looking yet critically endangered species which originally inhabited a vast area of the Eurasian steppe zone. The Saiga population in Kazakhstan has recently suffered severe losses due to a disease outbreak.
On my second day I meet staff of the Association for the Conservation of Biodiversity of Kazakhstan (ACBK, BirdLife Partner in Kazakhstan), who tell me one of the main issues for Saiga antelope is that they are being poached, especially by individuals in the remote villages of central Kazakhstan.
Our mural will be made in one of these villages, with the aim of boosting the plight of the Saiga. The mural painting team are Zhanna Aksartova – ACBK’s Conservation Education Coordinator, Ekaterina Aksartova – Zhanna’s sister and ecology student, and myself – Rory McCann – a wildlife artist with a background in conservation.
We travel across Kazahkstan to the village where we will paint the mural. Its location is the village school, a mighty-looking building built by the government 3 years ago. We hope to have the help of the schoolchildren.
We are shown around the school by the school director and the village leader. I am touched and tickled to be given many business-like handshakes by children as young as three years old!
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It’s exciting to introduce ourselves and explain our reasons for being there. We talk about the values of preserving native biodiversity and we launch a drawing competition for the students.
We have eight days to paint the mural!
The first brush strokes are always the hardest, but the fear of ruining a perfectly good wall quickly subsides and mural-painting fever takes over!
The days go by and our mural starts to take shape and so does a growing following of budding young artists. By the third day, I can barely move for all the students who are packed around me producing their own drawings based on the mural painting.
Zhanna and Ekaterina chat to the children and get them involved in activities such as making masks and singing songs about the Saiga. The children seem enthralled by the process – exactly the response we were hoping for!
We run a workshop with the younger competition winners – a series of mini drawing challenges, a master class in drawing eyes, and making Saiga gift cards. The competition winners can paint an animal on the mural.
The final day arrives. We must have the mural finished by 5pm in time for the grand opening. The mural has been sectioned off with curtains across the entrance so that our big unveiling can have maximum dramatic impact! At 4:45 pm, the brushes are put down for the last time, with a big sigh of relief.
At 5pm, we emerge from behind the curtains to a waiting crowd of students, staff and other villagers. A few minutes of prize–giving, tributes and words of thanks, the curtains are pulled back to reveal the finished mural. More than 25 steppe animals and birds are represented on the mural painting.
The hope is that this project can pave the way for ACBK to conduct further outreach and educational projects in this region with a view to improving the status of the Saiga antelope and other species in the surrounding environment.
The enthusiasm and friendliness of the students has really made this experience a rewarding one for me.
The Mural Project was instigated by the Saiga Conservation Alliance, with funding generously given by Zynga via the Wildlife Conservation Network.
Rory McCann worked for two years at BirdLife’s Global Secretariat office in Cambridge.
Stichting BirdLife Europe gratefully acknowledges financial support from the European Commission. All content and opinions expressed on these pages are solely those of Stichting BirdLife Europe.
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